Dr Valerie Purton is Professor of Victorian Literature at Anglia Ruskin University in Cambridge. 

Introduction – Valerie Purton; Chapter 1: Tennyson’s ‘Locksley Hall’: Progress and Destitution –Roger Ebbatson; Chapter 2: ‘Tennyson’s Drift’: Evolution in ‘The Princess’ – Rebecca Stott; Chapter 3: History, Materiality and Type in Tennyson’s ‘In Memoriam’ – Matthew Rowlinson; Chapter 4: Darwin, Tennyson and the Writing of ‘The Holy Grail’ – Valerie Purton; Chapter 5: ‘An Undue Simplification’: Tennyson’s Evolutionary Afterlife – Michiel Nys; Chapter 6: ‘Like a Megatherium Smoking a Cigar’: Darwin’s Beagle Fossils in Nineteenth-Century Popular Culture – Gowan Dawson; Chapter 7: ‘No Such Thing as a Flower […] No Such Thing as a Man’: John Ruskin’s Response to Darwin – Clive Wilmer; Chapter 8: Darwin and the Art of Paradox – George Levine; Chapter 9: Systems and Extravagance: Darwin, Meredith, Tennyson – Gillian Beer; Chapter 10: T. H. Huxley, Science and Cultural Agency – Jeff Wallace; Notes on Contributors

British Society for Literature and Science

‘Each of the essays in this book makes a lively and stimulating contribution to the thick description of the spread and continual mutation of evolutionary ideas and discourses within Victorian culture. Together, they give us a picture that is richly suggestive for future research in this field.’ —John Holmes, ‘Review of English Studies’

‘Beer’s remarks about Darwinian extravagance and Levine’s about Darwinian paradox remind us why they are two of Darwin’s best and most careful readers.’ —Jonathan Smith, ‘SHARP News’

‘This is a very carefully and thoughtfully edited book. It has a beautifully sustained focus and offers a sense of mutuality, of a two-way street between literature and science, rather than literature always just reflecting what was happening in the scientific domain. The book is full of revelations and is a pure pleasure to read. I would love to see more books of this kind in our field.’ —Kirsten Shepherd-Barr, University of Oxford

‘As the distinguished scholars writing in “Darwin, Tennyson and Their Readers” show, the lives and careers of Tennyson and Darwin were intriguingly symmetrical. Without simplifying or fining down methods specific to science and literature, the contributors probe these convergences in deftly written essays that will engage and inform a broad array of readers.’ —Linda K. Hughes, Texas Christian University

‘The background to the topic is illuminated in new ways and the texts are explored with interpretative brilliance. This volume enriches our understanding of the complex world of Victorian ideas and creativity – it is a stimulating reading experience, and a very enjoyable one.’ —Marion Shaw, Loughborough University